Most players have become used to cable capacitance and the slight warming effect it has on their tone.
This capacitive effect is magnified with cable length, becoming more and more pronounced as the length is increased. This is heard as a roll-off in the treble frequencies, which is caused by the passive instrument’s high output impedance and its interaction with the electronic capacitance characteristics of the materials used in the cable. When playing a guitar or bass with passive pickups (the type found in most instruments), the cable you use actually has a subtle effect on your overall tone.
Boss katana air wireless series#
In addition to electric guitars and basses, the BOSS WL series also works great with electronic instruments like Roland’s Aerophone (left), acoustic-electric guitars, keytars, synths, drum machines, and more. But you shouldn’t encounter any problems in the most common jamming, rehearsal, and gig situations. Note that certain environmental conditions may limit bandwidth and affect the actual number of simultaneous systems available. Up to 14 BOSS wireless systems can be used simultaneously in one space, allowing you and all your bandmates to enjoy easy wireless freedom at the same time. A huge benefit of BOSS’s auto-connecting wireless technology is that it searches for all unused channels, maximizing the available connection options. Other wireless systems utilize fixed assignments that restrict access to unused channels. In real-world usage, this level of latency is basically imperceptible-the equivalent delay of hearing sound less than one meter away from your amp. Just as importantly, the WL series feels great to play, with class-leading 2.3 ms latency for lightning-fast performance. The dynamic range is an impressive 110 dB or greater, providing ultra-clear and quiet performance with zero compression. When you plug in with your BOSS “virtual cable,” you’ll find that your tone is round, clear, and punchy, and perhaps even a little better than that traditional cable tether you’ve been using all these years. Thanks to the many real-time BOSS innovations going on under the hood, the WL series’ top-level audio performance remains ultra-stable and perfectly consistent, just like using a premium instrument cable.
But don’t worry, the WL series sounds more than good-it sounds exceptional. Superior Tone and Inspiring FeelĮasy operation is great, but it means nothing if the sound isn’t any good. The transmitters in WL-series products are compact, streamlined, and simple to use. The best news of all is that these high-tech details are completely invisible to you-all you have to do is plug in and enjoy the cable-free liberation that wireless provides. Going even further, BOSS employs a number of unique underlying technologies to ensure connection stability at all times. Additionally, communication is established at two frequencies in the channel, providing an instant fallback in case any interference is introduced. Working in the 2.4 GHz frequency band, a WL system seeks out the clearest of 14 different channels for rock-solid audio performance with absolutely no drop-outs. All of the complicated processes are handled automatically, taking all the guesswork out of setting up the wireless connection.īOSS WL-series wireless systems: WL-20, WL-20L, WL-50, WL-60, and WL-30XLR (left to right).
Boss katana air wireless manual#
Unlike other systems, you never need to worry about fussy adjustments and manual fine-tuning. While the products in the WL series are filled with cutting-edge tech and advanced engineering, the user experience is fast, fluid, and frustration-free.
The WL series is no different, delivering the legendary performance players have come to expect from BOSS over the last four-plus decades. From the beginning, all BOSS products have been designed to provide outstanding sound, easy operation, and rugged “always works” reliability for every level of musician.
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